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In Misty Copeland鈥檚 10 years as the American Ballet Theater鈥檚 first Black woman principal dancer, she has inspired others to see themselves in ballet shoes and on stages across the world 鈥 and St. Louis is no exception.
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Since 1975, the Focal Point has played a critical role in promoting and shaping St. Louis鈥 folk, roots, jazz, blues and world music scene.
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St. Louis is a premier destination for traditional Irish musicians from Ireland and throughout the U.S.
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Composer Christopher Stark teamed with innovative cello-percussion group New Morse Code for 鈥淭he Language of Landscapes,鈥 a piece that melds field recordings from nature with sounds wrung out of discarded items like plastic bags. The album includes remixes by St. Louis artists Mvstermind and Adult Fur.
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There鈥檚 still time to improve your end-of-year streaming playlist.
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Choreographer and art-maker Brendan Fernandes has devised 鈥淚n Two鈥 for four dancers moving throughout the Pulitzer Arts Foundation鈥檚 major exhibition of Scott Burton鈥檚 sculpture.
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The inspiration for 2024鈥檚 Dances of India performance is the ancient Indian epic, the Mahabharata.
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Graham Nash is touring behind his first solo album in seven years. After the breakup of Crosby, Stills and Nash, he sees renewed relevance in his classic songs and expresses a sense of renewed purpose in his latest work.
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Bob Putnam spent decades making room for people to share art of all kinds in St. Louis, especially at the iconic Way Out Club.
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Sarah Silverman is long accustomed to finding unlikely laughs in weighty topics like illness and the Holocaust. She鈥檒l debut 鈥淧ostmortem,鈥 a stand-up show inspired by the death of her parents, at the Stifel Theatre on Thursday.